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Films

Clueless

Susan Hopkins isn’t clueless about feminism’s Nietzsche.

The 1990s marked the ascendancy of postmodernism and poststructuralism across pop and politics as well as in academic theorising. This was a time when Madonna’s ‘blonde ambition’ pop was reinterpreted by third wave feminists as a political act; and when ‘clueless’ heroines in teen movies could reference everything from television infomercials to classic literature. Philosophy too, to some extent, was absorbed and repurposed by pop postmodernism. Pop culture frequently parodied earnest pseudo-intellectual types by, for example, portraying them reading Nietzsche. Friedrich Nietzsche (1844-1900) is, after all, one of the best-known and most widely misappropriated of nineteenth century philosophers.

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