
Your complimentary articles
You’ve read all of your complimentary articles for this month. To have complete access to the thousands of philosophy articles on this site, please
If you are a subscriber please sign in to your account.
To buy or renew a subscription please visit Subscriptions.
If you are a print subscriber you can contact us to create an online account.
Films
Seven Samurai
See a cinematic classic from a post-Hegelian perspective. Danny O’Donnell reviews Kurosawa’s Seven Samurai.
Akira Kurosawa’s rip-roaring action epic Seven Samurai (1954) also happens to be a goldmine of philosophical themes [and the template for the later The Magnificent Seven – Ed]. Apart from being a hugely entertaining martial arts extravaganza, its characters and plot introduce us to some major ideas.
The film follows the plight of a village of peasant farmers forced to find samurai willing to help them fight a group of ruthless bandits intent on stealing their crops and terrorising their families. It’s set in Edo-era Japan, a time of great change. Samurai find themselves unemployed as civil wars end with the absolute reign of the Shogun.
…